Identity and the Arts: Using Drama and Masks as a Pedagogical Tool to Support Identity Development in Adolescence
Adolescence is defined as the years
between the onset of puberty and the beginning of adulthood. Among the profound
and exciting changes taking place in adolescence is the process of
self-discovery. Our teens are working to figure out who they are, making
adolescent identity development a central feature of teen life. Young people’s identities are shaped by lots of factors: family,
cultural and societal expectations, experiences with institutions like school
and the media, and friends. And identity in adolescents is an ever-growing
concern and pre-occupation within formal education, with a need to identify
factors that can positively impact upon adolescent development.
A mask is
an object normally worn on the face, typically for protection, disguise,
performance, or entertainment. Masks have been used since antiquity for
both ceremonial and practical purposes and the role that mask has played in
allowing people to explore what it means to us through adopting the “other”. It
therefore stands to reason that if masks have and still do allow individuals to
explore identity and place in life, there may be an impact upon adolescents who
use masks within their formal drama education.
This paper explored:
The concepts of identity having a correspondence to mask usage; The potential
for masks to support the individual to disassociate from the self; and the
sense of being. The results showed that masks can be a clear methodology for
allowing identity exploration, self-awareness in developing good mental health,
and in conjunction with academic achievement, self-confidence and societal
responsibility. And if we wish to support adolescent development and self
awareness, at the core of drama curricula we need to re-position the usage of
masks in the classroom beyond being tied to core historical academic knowledge
but as a pedagogical methodology in its own right, we need to support
adolescent exploration of identity.
Article by David Roy and James Ladwig,
from University of Newcastle (AUS), Callaghan, Australia.
Full access: https://bit.ly/2GJDk47
Image by Mariette Norman, from
Flickr-cc.
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