Read full paper at:
http://www.scirp.org/journal/PaperInformation.aspx?PaperID=51210#.VFw7NmfHRK0
http://www.scirp.org/journal/PaperInformation.aspx?PaperID=51210#.VFw7NmfHRK0
Author(s)
The present article focuses on the experiences of
this researcher while working with a youth chorus in Rio de Janeiro.
With the goal of commemorating twenty years of activity as director of
the choruses at the Colégio S?o
Vicente de Paulo (Cosme Velho\RJ) in 2013, this researcher chose, for
the annual concert presented by the youth choir SVEM, a repertoire of
songs dealing with aspects of time; using this subject, it was possible
to examine different interpretations related not only to the topic of
time but also to the differences in meanings experienced by distinct age
groups (the conductor and the young singers), resulting in a conflict
of approaches during the rehearsals of the song “Sinal Fechado”.
Consulted authors, such as Deleuze and Benjamin, through their
reflections on the work of Marcel Proust (especially In Search of Lost Time)
bring to the fore discussions of the meaning of the perception of time;
this researcher intends to translate those questions as experienced in
the process of rehearsal. Using material from doctoral classes at the
PPGM-UNIRIO, some thoughts are proposed for a deeper understanding of
the subject.
Cite this paper
Costa, P. and Rónai, L. (2014) Teenagers’
Perception of Time Using the Song “Sinal Fechado” —Report of
Experimental Results. Creative Education, 5, 1703-1713. doi: 10.4236/ce.2014.519189.
| [1] | Azzi, R. (2012). Narrativas e transmissão de experiências em Walter Benjamin [Narratives and Transmission of Experiences in Walter Benjamin]. In: Ana Lógos. XII SAF-PUC. Anais... Volume XII (pp. 320-328). Rio de Janeiro: PUC-Rio. |
| [2] | Benjamin, W. (2011). Magia e técnica, arte e política: ensaios sobre literatura e história da cultura [Magic and technique, art and politics: essays on literature and history of culture]. Obras Escolhidas, vol. I. São Paulo: Ed. Brasiliens. |
| [3] | Deleuze, G. (2003). Proust e os signos [Proust and the Signs]. 2 ed. transl. Antonio Piquet and Roberto Machado. Rio de Janeiro: Forense Universitária. |
| [4] | Deleuze, G., & Guattari, F. (2011). Mil Platôs—capitalismo e esquizofrenia [Thousand Plateaus—Capitalism and Schizo- phrenia] 2, Vol. 1. Trans. Ana Lúcia de Oliveira, Aurélio Guerra Neto and Célia Pinto Costa. 2 ed. São Paulo: Editora 34. |
| [5] | Figueiredo, C. A., et al. (2006). Reflexões sobre aspectos da prática coral [Reflections on Aspects of Choral Practice]. In: Lackschevitz, E. (Org.), Ensaios: olhares sobre a música coral brasileira [Essays: views of Brazilian choral music] (pp. 6-49). Rio de Janeiro: Centro de Estudos de Música Coral. |
| [6] | Rodrigues, H. M. (2012). Percepção, memória e tempo em Benjamin e Proust [Perception, Memory and Time in Benjamin and Proust]. In: AnaLógos. XII SAF-PUC. Anais... Volume XII (pp. 172-179). Rio de Janeiro: PUC-Rio. |
| [7] |
Rossetti, R. (2005). A
Comunicação do Tempo em Proust [Communication of time in Proust].
Compós—Revista da Associação Nacional dos Programas de Pós-graduação em
Comunicação (e-Compós), 4, 1-17.
http://www.compos.org.br/seer/index.php/e-compos/article/view/51 |
| [8] | Szpilman, R. G. (2005). Repertório para corais iniciantes [Repertoire for beginning choruses]. Dissertation (Master’s in Music), Programa de Pós-Graduação em Música [Graduate Program in Music], Rio de Janeiro: PPGM/UNIRIO. eww141107lx |
评论
发表评论