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http://www.scirp.org/journal/PaperInformation.aspx?PaperID=51396#.VGlWkWfHRK0
Author(s)
This work intends to investigate the use of
psychoanalytical theory within the aesthetic and critical contemporary
art field. To this purpose, it focuses on two philosophers who have
become significant in our time: the art critic Hal Foster and the art
historian Georges Didi-Huberman. This study aims to show how far the
concepts generated in psychoanalytic praxis allowed interpretations that
disrupt the traditional aesthetics field. This type of analysis is
possible once we abandon the paradigm of “applied psychoanalysis”, which
is still current in non-clinical setting. Finally, the proposal wants
to argue that the category of the amorphous may clarify certain
aesthetic experiences that range from the modernity of art through
postmodernity.
KEYWORDS
Cite this paper
Dionisio, G. (2014) Some Deviations of Form: A Little Essay on Psychoanalysis, Art and Aesthetics. Creative Education, 5, 1750-1757. doi: 10.4236/ce.2014.519196.
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