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Symbolic Deterritorialization: The Case of Gabriel Orozco

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http://www.scirp.org/journal/PaperInformation.aspx?PaperID=53817#.VNR3mSzQrzE

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ABSTRACT
In a global context the artistic production has developed its critical processes from the inclusion and participation of audience in the works of art. Somehow the expansion and compression of space-time is reflected in the characteristics of many artists whose work is based on the occupying, mapping and reinterpreting of the spaces that they appropriate. This article tries to analyze the spatial and temporal turn defined by the works of artist Gabriel Orozco, The individual and collective memories, spaces of history, politics and culture are signified by the act of symbolic deterrito-rialization and reterritorialization. The article also analysed the phenomenological and material treatment of objects of Gabriel Orozco in his temporal frequency and perceptual reinterpretation in the context of cultural and political globalization in order to confront symbolic deterritorialization as a resource of his artistic production.
 
Cite this paper
Cabañero, J. (2015) Symbolic Deterritorialization: The Case of Gabriel Orozco. Art and Design Review, 3, 1-7. doi: 10.4236/adr.2015.31B001.
 
References
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[2]Bhabha, H. (2014). El compromiso de la teoría. Revista Acción Paralela. http://www.accpar.org/numero4/bhabha.htm
 
[3]Bois, Y.-A. et al. (2007). Gabriel Orozco. Madrid: Ed. Turner.
 
[4]Bonami, F. (2014). Gabriel Orozco es un extremista clásico. http://www.francia.org.mx/debate/diciembre/gabriel_orozco.htm
 
[5]Critchley, S. (2010). The Infinite Demand of Art. Art & Research A Journal of Ideas Contexts and Methods, 3, 1-14.
 
[6]Deleuze, G., & Guattari, P. F. (1987). A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.
 
[7]García Canclini, N. (1997). Cultura y comunicación: Entre lo global y lo local. Buenos Aires: Ediciones de periodismo y comunicación.
 
[8]Harvey, D. (1989). The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. London: Wiley.
 
[9]Huyssen, A. (2002). En busca del futuro perdido. Cultura y memoria en tiempos de globaIización. México: Fondo de Cultura Económica.
 
[10]Okwui, E. (1997). Gabriel Orozco, Silencios infinitos. Atlántica, Summer.                          eww150206lx
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